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一名男子死于一项实验性军事计划,一名前秘密行动士兵为了他寻找杀害他的凶手。
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曾经的脱衣舞秀台柱“魔力麦克”麦克·莱恩,因为一次交易失败小本生意彻底破产,在一家酒吧当着酒保,遇上了塞尔玛·海耶克饰演的女精英马可桑德拉,受诱惑再一次踏上了舞台——这一次是在伦敦,他们决定带来一场前所未见的大秀。
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神秘组织强迫小伙去偷里奥的笔记本,小伙化名托马索进到画坊拿到了笔记,可他临时改变主意不想出卖里奥。笔记本被彪形大汉抢走,里奥与好友前去调查时,托马索暴露女孩身份。托马索说出自己叫丽萨,为了学画画才来到佛罗伦萨,里奥与好友洛伦佐、迈克答应为丽萨保密身份。洛伦佐告诉父亲皮埃罗城里有奇怪组织,殊不知他的父亲就是抢走笔记本的主谋。
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马克·哈米尔、伯特·克赖舍将携手出演,彼得·阿特西奥执导的喜剧新片《机器也疯狂》(The Machine)。影片风格被描述为当《宿醉》遇见《午夜狂奔》,改编自克赖舍的真实冒险经历及与片名相同的现场表演。20年前,克赖舍在俄罗斯上大学时期因醉酒被误会犯错,他和他的父亲也因此被绑架。
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作家本·米尔斯回到他儿时的故乡——撒冷镇,为他的下一本书寻找灵感,却发现他的家乡正被一个嗜血的吸血鬼掠夺。
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The plot is set during the Balkan war in the early nineties. Haunted by horrible nightmares, Harlan Draka wanders the countryside, shamelessly making money pretending to be a Dampyr (half-human and half-vampire) ridding villages of what the villagers naively believe to be evil monsters. But, when he is summoned by soldiers who are under attack by real vampires, Harlan finds out the truth: he is a Dampyr. While trying to destroy a terrible Master of the Night, he will have to learn to manage his powers and find out more about his origins.
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You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people. 源自:https://iffr.com/en/iffr/2023/films/faces-of-anne