The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

　　

　　小唯是一名职业催眠师，但她也是直播间主播。她会透露各种病人在催眠时说的隐以此赚取大量金钱。小唯被病人举报，被吊销催眠师执照。失去职业便利的小唯无法再提供各种离奇谈资，直播间人气也如每况愈下。为了挽回人气，小唯想到一个绝妙的主意——催眠自己的男友，让其在直播间做各种奇怪表演。

　　《怪屋》是一部BBC.Ch4拍摄的超自然题材迷你剧，由名编剧马克·加蒂斯操刀制作。　　剧情概要：　　历史教师Ben（李·恩格里比 饰）在他的花园里发现一个形状怪异的门环，并将其带给博物馆馆长（编剧 马克·加蒂斯 饰）。经馆长鉴定，这是现已不复存在的基普庄园前门上的门环。历史上，基普庄园与巫术有着千丝万缕的联系。而其建造者始终未能育有子嗣与后几任所有者都离奇地惨遭不幸的故事给予这座庄园以诡秘而邪恶的名声……这里到底曾发生过怎样的故事？而这个门环又将给本Ben带来怎样的命运呢？

　　安东尼奥·班德拉斯将在这部电影中饰演一位花言巧语的律师，由于妻女遇害，他不得不改造自己的身体并保持沉默来找到凶手，实施复仇。

　　大分裂时期，各国纷争，狼烟四起。大魏国为了抢得军粮，频频来犯大齐国。女主人公小小苏刚一出生就被敌国下了毒咒，会在每晚子时发出男人的大笑声不止。为了破除咒语，老道长送给她一块奇石，让她去找左胸有胎记的男人，如若胎记遇奇石发生反应，赶快吻下去，方可破除咒语保住性命。但如若吻错，则加速死亡进度。　　小小苏踏上了寻找胎记的旅途，但殊不知，一场惊天的阴谋也随之降临……

　　一对老夫妇结婚50周年前夕，丈夫问妻子想要什么生日礼物，得到的答案却是“离婚协议书”。老夫妻闹离婚的事件在家族里引起了轩然大波，家族中的每个人都借此事宣泄心中积攒的怨气，导致家里“乱成一团”。

　　20世纪90年代之交，国际局势波谲云诡，这边风景也并非独好，平静中孕育着躁动和变革。大学刚刚毕业的小林（陈道明 饰）还没分到房子，与女友李靖（徐帆 饰）在局促中经营着琐碎而微小的幸福。小林在某机关工作，除他和小彭之外，张局长（修宗迪 饰）、老孙（张瞳 饰）、老何（周国治 饰）、老乔（徐秀林 饰）均是久经世故的老人。年轻人无所忌惮，一团和气的办公室内却暗潮涌动，谁也不是省油的灯。为了各自的利益，这些面带笑脸的人们明修栈道暗度陈仓，将办公室政治锻炼成了一门轻易无法学会的艺术。小林浸淫其中，不可避免地受到熏染，这正是新中国下具有代表性的众生相……　　本片根据刘震云的同名小说改编。

　　一九四六年，国共和谈破裂，内战的乌云笼罩着中国上空。蒋介石自恃美国的支持，在南京扬言：三个月　　消灭共军…… 该剧全方位地展示了以军事战略家粟裕同志为首的我军指战员，在老区人民的大力支持下　　，面对大兵压境的严峻形势，以三万之军，迎战十二万美械装备的蒋军，歼敌五万余人，获取苏中“七战　　七捷”的伟大胜利，再现了我党我军老一辈无产阶级革命家、军事家的风采和情操。同时还将两个最司令　　部的对垒与谋略，真实而生动地展现在我们面前。

　　1949年，多灾多难的神州大地迎来曙光，经过绵延数年的战火，中国共产党终于夺取了政权，建立了新中国。然而广袤的土地上仍有包括国民党在内不少残余势力的存在，因此我人民子弟兵依旧在各地浴血奋战。湖南湘西，祖国民风骠悍，此地不仅有国民党中统的势力盘桓，更有多如繁星的土匪纵横跋扈。这一日，搭载着战备物资和文工团战士的军车驶入湘西凤尾山，向着共军第79团的营地前进。以司徒慧为代表的文工团战士们载歌载舞，歌唱美好的明天，却全然不知危险正在逼近。土匪乌九率众袭击了军车，掠去物资，并将司徒慧等人抓为俘虏。　　司徒慧是国民党老左派司徒澜的独女，其身份之特殊引起各方关注。司徒澜数日后将从香港来至北平参加第一次全国政协会议。为此，共产党派出连长丁立峰率队营救司徒慧，而中统少校冷汉章也奉命干预，以阻止政协会议的召开。三方角力就此展开……