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全职奶爸
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尤斯廷,一位前律师、现任兼职艺术家,且出于无奈成为了一名全职爸爸,深陷于物流、情感与家庭的三重噩梦之中:他必须为他与桑齐安娜——他生活中那位“更成熟”的女人、学校校长——所生的婴儿筹办洗礼。在纸面上,...
神愈
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凯莎·卡斯特-休伊斯(《鲸骑士》《权力的游戏》)将主演一部独立制作的科幻新片《Wellwood》,并担任制片人。影片聚焦患了不治之症的劳拉和她的丈夫尼克,后者发现了一种外星科技,可以治疗他妻子的病症...
正义
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  90年代初,奥拉夫·卢巴申科饰演的一名退役警察有机会重回以前的生活,但条件是他必须抓获一个袭击银行的团伙。一名年轻女警被指派负责此案,而这位警探必须迅速行动,因为银行抢劫事件引起了媒体的关注,而新当局并不想将此事曝光在大众面前。
戈培尔与希特勒
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Art as propaganda and propaganda as art: Joseph Goebbels understood early on that film is an important weapon of ideological warfare. The images that resulted continue to shape our perception of the Nazi era today. FÜHRER UND VERFÜHRER pulls back the curtain on the inner workings of power and alternates between dramatized scenes, archival footage, and eyewitness accounts.
红色房间
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The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.